The Last BohemianBrian Desmond Hurst, Irish Film, British CinemaLance Pettitt The Myth of an Irish CinemaApproaching Irish-Themed FilmsMichael Patrick Gillespie Our Movie HousesA History of Film and Cinematic Innovation in Central New YorkNorman O. Keim Representing the UnpresentableHistorical Images of National Reform from the Qajars to the Islamic Republic of IranNegar Mottahedah Arab Americans in FilmFrom Hollywood and Egyptian Stereotypes to Self-RepresentationWaleed F. Mahdi Remaking Holocaust MemoryDocumentary Cinema by Third-Generation Survivors in IsraelLiat Steir-Livny Black Male FramesAfrican Americans in a Century of Hollywood Cinema, 1903-2003Roland Leander Williams Jr. The Salome EnsembleRose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta GoudalAlan Robert Ginsberg Bigger than Ben-HurThe Book, Its Adaptations, and Their AudiencesEdited by Barbara Ryan, Milette Shamir Reading Joss WhedonEdited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, David Lavery Posts navigation Page 1 Page 2 Next
The Myth of an Irish CinemaApproaching Irish-Themed FilmsMichael Patrick Gillespie Our Movie HousesA History of Film and Cinematic Innovation in Central New YorkNorman O. Keim Representing the UnpresentableHistorical Images of National Reform from the Qajars to the Islamic Republic of IranNegar Mottahedah Arab Americans in FilmFrom Hollywood and Egyptian Stereotypes to Self-RepresentationWaleed F. Mahdi Remaking Holocaust MemoryDocumentary Cinema by Third-Generation Survivors in IsraelLiat Steir-Livny Black Male FramesAfrican Americans in a Century of Hollywood Cinema, 1903-2003Roland Leander Williams Jr. The Salome EnsembleRose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta GoudalAlan Robert Ginsberg Bigger than Ben-HurThe Book, Its Adaptations, and Their AudiencesEdited by Barbara Ryan, Milette Shamir Reading Joss WhedonEdited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, David Lavery Posts navigation Page 1 Page 2 Next
Our Movie HousesA History of Film and Cinematic Innovation in Central New YorkNorman O. Keim Representing the UnpresentableHistorical Images of National Reform from the Qajars to the Islamic Republic of IranNegar Mottahedah Arab Americans in FilmFrom Hollywood and Egyptian Stereotypes to Self-RepresentationWaleed F. Mahdi Remaking Holocaust MemoryDocumentary Cinema by Third-Generation Survivors in IsraelLiat Steir-Livny Black Male FramesAfrican Americans in a Century of Hollywood Cinema, 1903-2003Roland Leander Williams Jr. The Salome EnsembleRose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta GoudalAlan Robert Ginsberg Bigger than Ben-HurThe Book, Its Adaptations, and Their AudiencesEdited by Barbara Ryan, Milette Shamir Reading Joss WhedonEdited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, David Lavery Posts navigation Page 1 Page 2 Next
Representing the UnpresentableHistorical Images of National Reform from the Qajars to the Islamic Republic of IranNegar Mottahedah Arab Americans in FilmFrom Hollywood and Egyptian Stereotypes to Self-RepresentationWaleed F. Mahdi Remaking Holocaust MemoryDocumentary Cinema by Third-Generation Survivors in IsraelLiat Steir-Livny Black Male FramesAfrican Americans in a Century of Hollywood Cinema, 1903-2003Roland Leander Williams Jr. The Salome EnsembleRose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta GoudalAlan Robert Ginsberg Bigger than Ben-HurThe Book, Its Adaptations, and Their AudiencesEdited by Barbara Ryan, Milette Shamir Reading Joss WhedonEdited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, David Lavery Posts navigation Page 1 Page 2 Next
Arab Americans in FilmFrom Hollywood and Egyptian Stereotypes to Self-RepresentationWaleed F. Mahdi Remaking Holocaust MemoryDocumentary Cinema by Third-Generation Survivors in IsraelLiat Steir-Livny Black Male FramesAfrican Americans in a Century of Hollywood Cinema, 1903-2003Roland Leander Williams Jr. The Salome EnsembleRose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta GoudalAlan Robert Ginsberg Bigger than Ben-HurThe Book, Its Adaptations, and Their AudiencesEdited by Barbara Ryan, Milette Shamir Reading Joss WhedonEdited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, David Lavery Posts navigation Page 1 Page 2 Next
Remaking Holocaust MemoryDocumentary Cinema by Third-Generation Survivors in IsraelLiat Steir-Livny Black Male FramesAfrican Americans in a Century of Hollywood Cinema, 1903-2003Roland Leander Williams Jr. The Salome EnsembleRose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta GoudalAlan Robert Ginsberg Bigger than Ben-HurThe Book, Its Adaptations, and Their AudiencesEdited by Barbara Ryan, Milette Shamir Reading Joss WhedonEdited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, David Lavery Posts navigation Page 1 Page 2 Next
Black Male FramesAfrican Americans in a Century of Hollywood Cinema, 1903-2003Roland Leander Williams Jr. The Salome EnsembleRose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta GoudalAlan Robert Ginsberg Bigger than Ben-HurThe Book, Its Adaptations, and Their AudiencesEdited by Barbara Ryan, Milette Shamir Reading Joss WhedonEdited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, David Lavery Posts navigation Page 1 Page 2 Next
The Salome EnsembleRose Pastor Stokes, Anzia Yezierska, Sonya Levien, and Jetta GoudalAlan Robert Ginsberg Bigger than Ben-HurThe Book, Its Adaptations, and Their AudiencesEdited by Barbara Ryan, Milette Shamir Reading Joss WhedonEdited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, David Lavery Posts navigation Page 1 Page 2 Next
Bigger than Ben-HurThe Book, Its Adaptations, and Their AudiencesEdited by Barbara Ryan, Milette Shamir Reading Joss WhedonEdited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, David Lavery Posts navigation Page 1 Page 2 Next
Reading Joss WhedonEdited by Rhonda V. Wilcox, Tanya R. Cochran, Cynthea Masson, David Lavery Posts navigation Page 1 Page 2 Next