"The Banshees will undoubtedly resonate with the women who are reading and writing in the twenty-first century. It will be intriguing to watch how Irish-American women receive it, and how they use it to make and remake themselves."—New Hibernia Review
"This insightful volume will appeal to students of Irish literature, feminism, and twentieth-century American sociopolitical history."—Library Journal
"The Banshees is both a celebration of the work of the Irish American women writers we know and a recovery of the work of the many talented writers whose work is either less well-known or has been lost. Sally Barr Ebest’s study is ambitious, timely and detailed, and is a most erudite, passionate, and persuasive study of Irish American women writers from 1900 to the present."—Eamonn Wall, author of Writing the Irish West: Ecologies and Traditions
"This pioneering study of Irish American women writers from 1900 to the present demonstrates that their fiction has made a significant contribution to modern and contemporary American literature."—Maureen Murphy, Hofstra University
"The Banshees is notable for its intelligent coordination of the cultural history of feminism with the literature produced by a major ethnic group—Irish-American women."—Charles Fanning, author of The Irish Voice in America: 250 Years of Irish-American Fiction
Although much has been written about American feminism and its influence on culture and society, very little has been recorded about the key role played by Irish American women writers in exposing women’s issues, protecting their rights, and anticipating, if not effecting, change. Like the mythical Irish banshee who delivered fore-warnings of imminent death, Irish American women, through their writing, have repeatedly warned of the death of women’s rights. These messages carried the greatest potency at liminal times when feminism was under attack due to the politics of civil society, the government, or the church.
The Banshees traces the feminist contributions of a wide range of Irish American women writers, from Mother Jones, Kate Chopin, and Margaret Mitchell to contemporary authors such as Gillian Flynn, Jennifer Egan, and Doris Kearns Goodwin. To illustrate the growth and significance of their writing, the book is organized chronologically by decade. Each chapter details the progress and setbacks of Irish American women during that period by revealing key themes in their novels and memoirs contextualized within a discussion of contemporary feminism, Catholicism, Irish American history, American politics, and society. The Banshees examines these writers’ roles in protecting women’s sovereignty, rights, and reputations. Thanks to their efforts, feminism is revealed as a fundamental element of Irish American literary history.
Sally Barr Ebest is professor of English and director of the Gender Studies Program at the University of Missouri–St. Louis. She is the coeditor of Reconciling Catholicism and Feminism? Personal Reflections on Tradition and Change and Too Smart to Be Sentimental: Contemporary Irish American Women Writers.
Series: Irish Studies
6 x 9, 288 pages