The Travels of Benjamin Zuskin

"Ala Zuskin-Perelman’s book about her father is particularly significant because it challenges the myths that for so long informed Western understanding of Soviet culture. . . . She created an entirely new literary form. The hero, Benjamin Zuskin—'just' an actor and 'just' a modest and charming man—personifies the principal traits of his epoch, his art, and his people."—Joshua Rubenstein, Harvard University

"A story, an essay, an epic, a tragedy, a comedy and a history told with delicate sensitivity and literary wisdom. This is a gift to the generations to come."—Antonio Attisani, University of Torino, Italy

"The author has succeeded in finding the ideal balance between the meticulous attention to detail of the scholar and the poignant sensitivity of the daughter. . . . Today the subject of the Yiddish theater has become popular in academic studies . . . without this book, no study of the subject can make headway."—Gennady Estraikh, New York University

"Ala Zuskin Perelman has written a compelling and poignant biography of her father, the actor Benjamin Zuskin, which is deeply informed by her own memories, family history, and impressive research. She tells the tragic story of her father and the theater to which he dedicated—and ultimately lost—his life with passion and devotion. In the process, she also tells the story of the Moscow State Jewish Theater, which was in and of itself a remarkable achievement, both as a theatrical venture and as a historical phenomenon, demonstrating the complex situation of Jews and Jewish culture under Stalinism."—Jeffrey Veidlinger, University of Michigan

"An exceptional treatment of both the life and artistry of Zuskin."—Robert Weinberg, Swarthmore College

"Zuskin Perelman's book is a rare thing: an emotional recounting, with the benefit of hindsight, of what is was really like to live through the nadir of the Soviet-Jewish nightmare."—Dara Horn, Jewish Review of Books,

"The Travels of Benjamin Zuskin gives readers a full account of the life and career of an artist who was instrumental in advancing Jewish theatre and culture, but whose name may be less known to the general public. . . . The book is an excellent source for anyone interested in theatre, Jewish theatre and culture, Russian history, and life in general."—Theatre Library Association

"Perhaps the most striking feature in this book for an American reader in the twenty-first century is Perelman’s dramatic rendering of the political danger under which USSR theatre artists worked."—Theatre Journal