"Lines is to be commended for bringing into focus such criminally neglected texts—many of them exciting, page-turning narratives populated by attractively subversive rogues—and for adding to the mixture of forms, genres, modes, and types that went into the emergence of the novel in Ireland."—Eighteenth-Century Studies
"Synthesizes critical literature on English criminal narratives, picaresque novels, and ‘ramble fictions’ with cultural and literary history and literary criticism focused on seventeenth- and eighteenth-century Ireland."—Clíona Ó Gallchoir, University College Cork
"A rich, persuasive, and intelligently conceptualized account of intersections of genre and nation."—Aileen Douglas, Trinity College Dublin
"This wide-ranging study expands the growing body of scholarly work on the emergence of a distinctively Irish prose fiction in the long eighteenth century, while offering a nuanced exploration of the unexpected role the Irish rogue narrative played in contesting English prejudices about Ireland."—Ian Ross, Emeritus Professor of Eighteenth-Century Studies and Fellow Emeritus, Trinity College Dublin
Description
With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations.
In this volume, Lines investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. Alongside recognized works of Irish fiction, such as those by William Chaigneau, Richard Head, and Charles Johnston, Lines presents lesser-known and even anonymous popular texts. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogues themselves, marked by persistence and adaptability, and the ever-popular rogue narrative in this early period of Irish writing.
About the Author
Joe Lines completed his PhD in English at Queen’s University, Belfast. His research on the early Irish novel has been published in Journal for Eighteenth-Century Studies, Eighteenth-Century Ireland, and the edited volume Irish Literature in Transition, 1700–1780.
September 2021